By Rebecca Lawton (USA)
Previously published by Hunger Mountain, the VCFA Journal for the Arts
When someone raps at my kitchen window, I jump out of my chair. It’s before dawn, in the hour when the horizon emerges as a gray line on the ephemeral lake before me. I’m staying in the Oregon Outback, at a retreat center as remote as Neverland, where the prospect of a face at the glass spooks me. I peek around. It’s a robin tapping, pausing, and tapping again. My pulse settles. I can consult avian specialist Noah, also a writer in residence at Playa Fellowship Program, about whether the robin is mentally ill.
When I ask Noah, he tells me that the robin’s failing the “mirror test” – he doesn’t recognize the face in the glass. Instead, he sees a possible mate or a territorial rival. His disregard for data is normal, Noah says, and won’t stop until I close my curtains.
I loathe shutting out some of the most dazzling light on the planet, though, on the parched edge of the Great Basin. During my first stay at Playa, I labored as an ant does from sunrise to sundown despite the light. This second residency, however, comes when the batteries in my brain are flatter than those in a mislaid flashlight. The idea of working would amuse me if I had the energy to laugh.
Somehow, I’ll rally. I’ll strive again through the hours. I’ll barely leave the cabin for breaks. I’ll do as Jack London said he would do (and did): “I shall use my time.”
But now, there’s this robin. Out beyond his little head, fields flash with the scarlet and yellow of finches and goldfinches attacking dandelions for their seeds. An oriole hops branch to branch in a pine, his orange and black matching the sunrise. People and birds come here for pretty much the same reason: to stop over for long or short stays in a basin with a wide, blue sky and sweet, seasonal water. Some migrators pass through in minutes. Some linger for days or a season. A lucky few stay for years or a lifetime.
I draw the curtains. An inner voice warns that I need rest, but I push it aside. When else will I have such an opportunity to work? The planet needs every voice it can get now that climate deniers have been voted into major public offices.
The robin moves to a bedroom window. I put on a pair of noise-cancelling headphones that I thought I’d never need out here. The tap-tapping continues, but farther away. Something could be learned from the robin, I’m certain, but lessons be damned. I labor on. Thirteen more days to go.
The next days of my residency mimic the first. Rise, go to the desk, and put new words on paper. When I stop, it’s not for long. At night I seldom sleep, tired but wired. I persevere, despite knowing that the Latin roots are per, meaning thoroughly, and severus, meaning severe. Thoroughly severe, implying, to continue with little prospect of success.
On the fourth morning, when I review what I’ve written, my heart falls. The sentences lack life. There are no original ideas. It’s dull and overblown. In short, it’s utter crap. Discouraged, I step out to my deck as a flock of white-faced ibises, long necks outstretched, pass over the lake’s shimmering surface. Noisy pairs of Canada geese bark like small dogs in tall grasses. Each day more migratory birds arrive in hordes.
Returning inside I look in the bathroom mirror. Fatigued eyes in a drooping face stare back. That can’t be me.
I almost never drink, and never alone. After all, didn’t Rhett Butler say, “Never drink alone, Scarlett?” Nonetheless, I open a bottle of Grenache I’ve brought from home and down a glass before taking the rest to dinner in the Commons. Conversation is the last thing I want, but around the big communal table, I find instant rapport with the other residents. The residency has opened up their creativity in unforeseen ways. Noah and another passionate birder, the poet Farnaz, are planning to drive up Highway 31 after dark to look for common poorwills. My curiosity stirs, but I push it down, knowing I plan to rise at dawn to write.
Across the table a printmaker, Barbara, describes the arc of her nearly completed six-week residency. Her work shifted partway through her stay, after a visit to the archeological caves south of Summer Lake. In those ragged holes in an ochre cliff, some of America’s oldest fossil human feces have been found alongside the bones of waterfowl, fish, and extinct camels and horses. Once Barbara’s curiosity was ignited about the ancient landscape, she developed a process of collecting images directly from the ground. She strapped wooden blocks to her feet before hiking nearby trails and Forest Service roads. After the treks, she removed the worn and roughened blocks and inked them for printing. The results are both coarse and fluid depictions of geologic textures.
“I gave in,” Barbara says. “When I opened to this place and the people, and let the surroundings transform my work, it made all the difference.”
Immediately, I decide to go into the night with Noah and Farnaz. We drive to Picture Rock Pass, our windows open to the scent of new things growing. Parking by the side of the road on a pullout covered with volcanic cinders, we tread with care to lessen crunching noisy rock. At the end of the pullout, overlooking the stunted piñon-juniper forest, Noah pulls up a sound recording on his phone – the call of a common poorwill. The bird is known to answer to a whistled poor-will.
Poor-will, poor-will, goes Noah’s phone. Silence, silence, goes the night. In a minute we hear the steady advertising call of a northern saw-whet owl. A few ring-billed gulls above us mew like loud kittens. Miles away in the valley, cattle moan, their ghost voices carrying above farm and forest.
The nagging advice I’d disregarded sinks in – this is what I need. This valley, this night, this basin, these people. Otherwise, my well is too dry to sustain writing about water or climate or anything else. I could no more write a new book than walk five miles into this night on printmaker’s blocks.
The poorwills remain silent, not hearing or believing the silicon voice of Noah’s phone. On the drive back to Playa, he and Farnaz tell me about the Punchbowl. It’s an open dish of land set among ridges above Summer Lake. One resident saw five black bears, all at once, on a hike there last week. I vow to go, too, alone. It will be just one day off from the ten more days of residency, in this dry valley where robins attack windows and sleep stays a stranger.
At dawn, after four hours of actual slumber, I set out with my writing notebook, binoculars, bird book, and a canister of bear spray. I’ll return to Playa by late afternoon, before large carnivores start their dusk feeding. Following the Forest Service trail, I find early wildflowers bursting forth in crimson, gold, and lilac every few feet. Meadowlarks burble and flee as I approach. A thin cloud cover rests on a jagged row of ridges in the distance. The only large trees still standing are white skeletal snags, stripped of their foliage and bark by a past forest fire.
Soon I come to a broad basin that must be the Punchbowl. The trail continues, though, and so do I, despite new growth crowding the trail and fallen trees blocking the road like log gates guarding Oz. Climbing up and over them, I’m careful not to twist an ankle or blow out a knee with each landing. Somehow, I manage to scrape both shins through my hiking pants, drawing blood.
After hours of thrashing, I reach a patch of live woods. The air is chilly and full of mosquitoes. Busy swatting insects, I nearly miss a bird perched just yards away. It’s the bluest bird in the history of the world, a mountain bluebird, poised to fly. It’s many shades deeper than the sky. Remembering that a story’s told in the details, I catch some in my notebook, quick, like floating dandelion seeds.
On my way down the trail, the pull of gravity makes the return trip easier. Midway back, I flush a poorwill from a clump of manzanita in the overgrown trail. The bird escapes on a rush of wings. If only Noah and Farnaz were here. Back in the cabin, after eight hours away, I barely have energy to clean up and eat while standing in my kitchen. I fall on the bed and sleep until morning.
Nine days of residency to go. It may not be enough.
Franklin’s Gul l
At dawn, I drive ten miles to the Summer Lake Wildlife Refuge. An introductory kiosk notes that hundreds of species of mammals and birds live on nineteen thousand acres watered by an elaborate system of pipes and canals. I enter on a dirt road at the breakneck speed of ten miles an hour, seeing only a few ducks and geese. I hit the brakes at the eastern edge of the property. Thousands of ducks, geese, terns, gulls, sandpipers, phalaropes, and other shorebirds browse a shining pond. Some are in flight. Some stroll beaches. Some dive and dabble. Some face beaks-first into the wind. A small gull wings past, a species with a black head and thick white crescents above and below its eyes. A newbie for me, it’s a Franklin’s gull, which breeds and summers farther north.
I gaze until I’m satiated, then find another kiosk sign that tells me aridity is increasing, as are nearby human populations. I pull out my notebook and write.
Water in refuge = life. Climate change = drier refuge. Alfalfa shipped elsewhere = broken local water cycle.
When I leave the refuge hours later and return to my cabin, I type up notes on wildlife and its dependence on the same water depleted by growing irrigation demands. I work without effort until dark. I don’t count the days left in residency.
I’ve started writing about things that I came here to write about.
On my last full day, I take a Forest Service road to Winter Ridge. The well-groomed gravel surface would allow me to drive fast if I felt like it. Instead, I go as slowly as the (nonexistent) traffic will allow, about eight miles an hour. Maybe I’ll see a Williamson’s sapsucker, a life bird for me, up in the high forests. Reaching a wet meadow with a small stream, I hear wood-pecking all around. None resembles the start-and-stop, Morse-code tapping of sapsuckers, so I continue on.
I drive with my windows open, pulling over often, stopping near patches of old-growth forest among the new growth recovering from logging. The woods are full of life. A red-tail hawk masquerades as a broken pine branch until he lifts wings and flies. A golden eagle dwarfs the telephone cross-pole she’s hunkered on. A brilliantly colored lazuli bunting, more turquoise than lapis blue, hangs out on a log.
The last bird of the day is a stunner, a calliope hummingbird feeding in a burned-over patch of woods. The smallest bird in North America, dragonfly-sized, arrives with a flash of violet throat and soft buzz of wings. The bird hovers only a moment before zooming off.
So it goes with writing and birding.
You try to find a sapsucker, but stumble up on a tiny jewel of a hummingbird. You persist and strive despite a robin showing you the insanity of ignoring results. You go out calling for a poorwill, only to flush one out the next day after discovering another bird more blue than the sky. Or you think you’ll uncover a labyrinthine waterworks, but spend hours immersed in sanctuary and the surprise of a new species. Near the roof of a basin that holds light and sky in the same grip as alfalfa and cattle, you open to it.
Somehow, you do not fail the mirror test. You find a way, as Barbara did with her printer’s blocks, as Noah and Farnaz do with their birding, as the birds do with their migrations. You crunch the data, no matter how it comes to you.
You return to the world again and again and pour it out in your own voice.